In this episode of NeedleXChange I interview Robert John Hodge.
Robert John Hodge makes cross-stitch work based on Renaissance sculptures, using a CMYK / screenprint-style layering approach and recurring Wingdings symbols.
In this half we jump into Robert’s newer series - smaller, quicker pieces that work like little stitched collages: videogames, screenshots, photos, culture… and, for reasons we absolutely get into, a whole run of nuclear weapons tests.
Part 2 is where we widen out into the stuff that feeds the work: horror films from the 70s and 80s, documentaries that stitch history into a continuum, Kate Bush and Wagner, and even T.S. Eliot’s The Waste Land as a kind of cultural collage blueprint.
Timestamps:
00:00:00 - Introduction
00:01:30 – Cross stitch as a serious art medium
00:05:44 – Challenging the “serious art” prejudice
00:07:50 – Balancing making work and making money
00:09:02 – Art-world reality: logistics + day job
00:11:22 – Film influences + nostalgia threads
00:18:16 – A wide media diet (and why it matters)
00:24:53 – Literary influences: T.S. Eliot and collage thinking
00:26:52 – Looping + obsession as the creative engine
Links:
Website: robertjohnhodge.com
Instagram: robertjohnhodge
Intro music is Cotton Candy by Cospe via Epidemic Sound.
About NeedleXChange:
NeedleXChange is a conversation podcast with embroidery and textile artists, exploring their process and practice.
Hosted by Jamie "Mr X Stitch" Chalmers, it is an in-depth showcase of the best needlework artists on the planet.
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